When it came to filming the actually moving images, we most certainly looked at our storyboard to know what shots we are looking for. However when it came to editing the music video itself the shots although we have used them do not go necessarily in this order. There is no verisimilitude of the moving images when following the storyboard. The narrative structure was not clear so we edited the storyboard to a structure where the narrative was clear but also the entire relative shots that are vital for the genre is also presented. For example the very first shots show the male character to a straight cut to the female character. We did not include this in the beginning of our music video, as structurally it did not work. The narrative story was all muddled as we wanted the focus to be on the male character not on both. We then almost immediately presented both of the characters on a sofa, where they look 'happy in love'. This gives a clearer narrative from the start of the music video from when it was first originally planned through the storyboard
Saturday, 13 October 2012
Edited Storyboard
This is the edited
Storyboard, showing the changes we made to the music video. The storyboard
acted as a base for our music video and as you can see we have made a lot of
changes. We have moved shots around quite a bit and we have tried to make it as
clear as possible through our edited storyboard. However there is an extra
piece of information in which is just at the bottom of this story board
underlining what shots in order we have used for our music video.
When it came to filming the actually moving images, we most certainly looked at our storyboard to know what shots we are looking for. However when it came to editing the music video itself the shots although we have used them do not go necessarily in this order. There is no verisimilitude of the moving images when following the storyboard. The narrative structure was not clear so we edited the storyboard to a structure where the narrative was clear but also the entire relative shots that are vital for the genre is also presented. For example the very first shots show the male character to a straight cut to the female character. We did not include this in the beginning of our music video, as structurally it did not work. The narrative story was all muddled as we wanted the focus to be on the male character not on both. We then almost immediately presented both of the characters on a sofa, where they look 'happy in love'. This gives a clearer narrative from the start of the music video from when it was first originally planned through the storyboard
When it came to filming the actually moving images, we most certainly looked at our storyboard to know what shots we are looking for. However when it came to editing the music video itself the shots although we have used them do not go necessarily in this order. There is no verisimilitude of the moving images when following the storyboard. The narrative structure was not clear so we edited the storyboard to a structure where the narrative was clear but also the entire relative shots that are vital for the genre is also presented. For example the very first shots show the male character to a straight cut to the female character. We did not include this in the beginning of our music video, as structurally it did not work. The narrative story was all muddled as we wanted the focus to be on the male character not on both. We then almost immediately presented both of the characters on a sofa, where they look 'happy in love'. This gives a clearer narrative from the start of the music video from when it was first originally planned through the storyboard
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